In all honesty, Alison isn’t naturally drawn to novels that start with the death of a teenage girl. But this metafictional novel is less about Phillipa Laakso’s death, or the police investigation that ensues, and more about her life, particularly the last few years – as told by multiple narrators, an ensemble cast of people who knew her. More significantly, we hear from those who thought they knew her – and only now realise how much they projected onto her. Pulkkinnen’s writing (along with Leggett’s superb translation) is excellent: she has produced a thoughtful, psychological novel which investigates girlhood, power and friendship – a compelling read for the beach or the commute.
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